A new portrait of Donald Trump hanging in the White House has sparked a heated debate online, with many people calling it “satanic” in appearance.
The painting, unveiled by Sebastian Gorka (Trump’s former deputy assistant), shows Trump walking between rows of American flags with an orange glow behind him. Some observers compared the glow to fire, interpreting it as a symbol of destruction. The artist, Vanessa Horabuena, who identifies herself as a Christian worship painter, intended it to be a patriotic piece. But the reception has been anything but united.
On social media, reactions ranged from humor to sharp criticism. One user asked, “Why is the country on fire behind him?” while another remarked, “Fits. America’s burning in the background, and Trump walks away.” Others joked that the painting made him look “60 pounds lighter” or simply “too orange.”
Part of the controversy also comes from Trump’s history of surrounding himself with self-portraits. Reports suggest that portraits of George W. Bush and Barack Obama have been moved to a little-used stairwell, making space for Trump-themed artworks. Critics argue this reflects his ego, while supporters view it as a mark of pride.
The portrait is not the only artwork drawing attention. Trump has also displayed a painting based on the assassination attempt against him in 2024, where he was pictured with a bloodied ear and a raised fist. During a recent meeting with European leaders, he pointed out the painting himself, though not everyone in the room seemed impressed.
Beyond the portraits, Trump has overseen a makeover of the White House, including changes to the Rose Garden, more gold accents in the Oval Office, and the replacement of certain first ladies’ portraits. In one widely shared image, his own patriotic portrait took the place where Hillary Clinton’s once hung.
Whether seen as patriotic, self-indulgent, or unsettling, Trump’s art choices continue to stir conversation both in the U.S. and abroad.
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